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"Intermediality in Brazilian cinema"

Screen

Vol. 60, n° 1, printemps 2019.

Articles

Queer neorealism : Luchino Visconti’s /Ossessione/ and the Cinema conspiracy against fascism (Lorenzo Fabbri)

The prerogative of confusion : pink film and the eroticization of pain, flux and disorientation (Alexander Zahlten)

Re-citation and resuscitation from the archives of Arab revolution (Kay Dickinson)

Montage/mediation/publicity : /Far from Vietnam/ (David Fresko)

From manga to film : gender, precarity and the textual transformation of /Air Doll/ (Diane Wei Lewis)

Dossier

Intermediality in Brazilian cinema : the case of Tropicália Introduction (Lúcia Nagib and Stefan Solomon)

Devouring images : Hélio Oiticica’s anthropophagic quasi-cinema (Alison Butler)

‘The cloak of technicolor’ : intermedial colour in /Antônio das Mortes/ (Stefan Solomon)

Between film and photography : the bubble of blood in /The Family of Disorder/ (Albert Elduque)

Multimedia identities : an analysis of /How Tasty Was My Little Frenchman / (Lúcia Nagib)

Research Note

The story of /Atoms at Work/ (Helen Hughes)

En savoir plus : https://academic.oup.com/screen/issue/60/1
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